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He worked in the Dirección Federal de Seguridad for two years, gained a pilot's license and purchased his first airplane. He grew up in poverty along with brother Vicente. He was the nephew of Ernesto 'Don Neto' Fonseca Carrillo, one of the founders of the powerful Guadalajara cartel. Unable to flee the country, he relinquished power to his brother Vicente, staged his death and escaped to Chile.Īmado Carrillo Fuentes was born in Sinaloa in 1956. In 1997, his dealings with Carlos Hank González and General Jesús Gutiérrez Rebollo surfaced, and he became Mexico's most wanted drug trafficker overnight. After getting the Cali cartel to pay him in cocaine, he became Mexico's most powerful drug lord in 1994. He seized power after murdering Aguilar in 1992 and quietly built his drug empire while the authorities were distracted by the conflict between the Sinaloa and Tijuana cartels. In 1989, he pulled the Juárez plaza out of the Guadalajara cartel and formed the Juárez cartel with Rafael Aguilar Guajardo. Initially, he was a part of the Guadalajara cartel and was sent to Ojinaga to work under veteran smuggler Pablo Acosta and gained control of the Juárez plaza after Acosta's death in 1988. Known as the El Senor de Los Cielos (The Lord of the Skies) for his sophisticated air smuggling network using a fleet of private jets, he was one of Mexico's most powerful drug lords at the height of his career, having amassed a fortune of over $25 billion, rivaling Colombian drug lord Pablo Escobar.
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“There is this imaginary line - sometimes completely imaginary -Īnd things become complicated and different because of it.Amado Carrillo Fuentes was a Mexican drug smuggler who led the Juárez cartel. “To a degree, it reminds me of the Palestinians and Israeli Arabs and how they live in weird realities,” Mr. Juárez and its adjacent American sister city, El Paso - a town made up of mostly first-generation Mexican-Americans. His experiences working on both sides of the 1967 border between Israel and the West Bank have influenced his view of Schwarz covered news in Israel, where he was born and raised. He is currently directing a feature-length documentary on the effects of the drug war.īefore he moved to New York in 1999, Mr. Schwarz, who is represented by Reportage by Getty Images, is a contract photographer for Time magazine, which featured his work on the Lightbox blog late in June. This is the new hip-hop for a lot of Latino kids.” “You don’t have to be Mexican to follow narcocorrido. Who wish to be portrayed as modern-day Robin Hoods - with a little Scarface thrown in.
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The songs, which have millions of fans, have spread to nightclubs on both sides of the border. While corridos are old-time folk ballads, narcocorridos tell of guns and drug cartels. Of the images shown above are not included in the exhibition.) The work portrays the drug world’s glamorous edges: the money, the material goods, the glorified violence. Schwarz’s photos of narco-culture are on display here at the Visa Pour l’Image photojournalism festival. “It’s fashionable now to know what’s going on in the drug world,” Mr. Giant mausoleums celebrating assassinated kingpins. Narco-culture, he said, is narcocorridos - rap songs about drugs that glorify the life experiences of violent drug dealers. He started photographing the narco-culture spread by young people - on both sides of the border. Schwarz began to focus on the corrosive effect the violence was having on Mexican society. “I see how cheap life can be there at times.”Īfter covering drug-related murders almost daily, Mr. “It is dangerous, chaotic and unpredictable,” said Mr. He can’t get the story of a city “so vicious and so close to home” out of his system. Working in Juárez, a few yards from the border with the United States, since 2007. PERPIGNAN, France - Shaul Schwarz was among the first photographers to focus on documenting the drug wars that have ravaged the Mexican city of Juárez.